Maybe youd like to record in the Sydney Opera House. Or in the Grand Ole Opry. Or in the Manhattan Center or in Wembley Stadium or in Birdland. Or record dialogue in a stairwell a church a car interior or on the Todd-AO scoring stage. For all of theseyou w
Maybe youd like to record in the Sydney Opera House. Or in the Grand Ole Opry. Or in the Manhattan Center or in Wembley Stadium or in Birdland. Or record dialogue in a stairwell a church a car interior or on the Todd-AO scoring stage. For all of theseyou want IR1. Convolution reverbs uncanny ability to reproduce hyper-realistic acoustic environments is well-known but IR1s 2000+ impulse responses are what truly bring convolution reverb to life.
With IR1 editing convolution reverb can be just as easy as editing conventional algorithmic reverb. Youll find familiar reverb parameterslike RT60 decay time size density ER buildup and a 4-band EQ to set damping.
Despite impulse responses being static the envelope shaper allows non-linear responsesfaster or slower decay gated responses tails that swell up before decaying rhythmic chopping and more.
The innovative Reverse mode reverses the tail but not the original sound being processed. The result is ghostly evocative reverb that still retains the intelligibility of vocals and instrument attack/decay characteristics.
The crown jewel of the package is over 2000 meticulously recorded impulses of acoustic spaces including venues from around the worldoften with different seating positions and microphone polar patterns.
The IR1 separates the direct sound early reflections and tail each with its own gain and predelay parameters. Also you can trim the impulse start for an instant attack or the end for a shorter reverb that needs less CPU power.
Platform | CPU | RAM | Disk | Notes | Additional Requirement | Audio Card | Ports | Internet Required | 32 Bit Support | 64 Bit Support | Plugins |
mac | 8 | 16 | 0 | 0 | 0 | VST-2VST-3AUAAX | |||||
windows | 8 | 16 | 0 | 0 | 0 | VST-2VST-3AAX |
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